#Silent hill font tpyer tv
The Sunderlands' video tape FMV is now bordered on all sides by a TV set rather than being presented in full-screen.The incorrect aspect ratio results in a slight "stretched" or "fat character" look. The FMV cutscenes are stretched horizontally to appear as widescreen, which is more problematic than Silent Hill 3 because Silent Hill 2 is more FMV-heavy.During Eddie's rant in the Labyrinth, when he says, "It doesn't matter if you're smart, dumb, ugly, pretty.", the subtitles say "your" instead of "you're".The street and sidewalks textures have been changed to look much cleaner.The textures on the first aid kits and the medical cross posters have been changed, owing to the Red Cross being trademarked.The Silent Hill Ranch sign's font is changed to Comic Sans.In the HD Collection, Paleville is 9 miles, Old Silent Hill is 6 miles and Brahms is 16 miles. In the original version, Paleville is 10 miles, Old Silent Hill is 50 miles and Brahms is 265 miles. The distances on the sign at the beginning have been altered.During the opening monologue theme, the guitar has been changed from acoustic to electric.Characters tend to use new words when starting sentences.Artistic changesĭuring Eddie's rant, the subtitles say "your" instead of "you're". Spoiler warning: Plot and/or ending details follow. Due to the development being different for every game in regards to coding and overall engine development, this can cause issues when remastering the game for next generation consoles. In a post-release interview, Tomm Hulett reflected on the issues with the HD Collection, as well as preserving video games. Guy Cihi ( James Sunderland), David Schaufele ( Eddie Dombrowski), Monica Taylor Horgan ( Maria/ Mary) and Donna Burke ( Angela Orosco, Claudia Wolf) eventually signed a waiver, allowing Konami to re-use their voices in the HD Collection. Monica Taylor Horgan supported giving fans an option as well.
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Guy's close connection with fans of the series played a strong part in his decisions regarding these issues. Guy also called for Konami to allow the original voices and give fans the option to choose between the original dub and the re-dub. In a letter to Konami, Guy stated that it was not about the money but rather "the thoughtless way that those involved in the production have been treated" such as not notifying him of any re-releases and hiding his contributions in " The Making of Silent Hill 2" video. No written contract between Guy and Konami was available. McGlynn, Troy Baker and Thessaly Lerner refuted this, stating that Guy did not own James's voice and motion capture and that his performance was always owned by Konami this was the reason Konami never paid Guy for residuals. The reason for the re-dub was due to Guy Cihi requesting residuals for the multiple ports and re-releases of Silent Hill 2 as he claimed that he owned the rights to James's voice and motion capture. Mary Elizabeth McGlynn was approached by Konami to direct the re-dub. This resulted in both versions of the HD Collection being hampered by severe technical issues.
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The collection was originally supposed to be a PlayStation 3 exclusive, but an Xbox 360 release was eventually announced.ĭue to the age of both games involved, the only code available to be given to Hijinx Studios by Konami was an unfinished incomplete beta build of the final version because Konami lost the source code. It was revealed that both games would be given new voice-overs. Silent Hill HD Collection was first announced in Konami's 2011 Pre-E3 show. This also marks the first new game from Keiichiro Toyama since 2017's Gravity Rush 2.The collection was directed by Tomm Hulett. Slitterhead was unveiled during The Game Awards 2021, and will be the first game from the newly formed Bokeh Game Studio. You can watch the entire 11-minute video above. "From there," he says, "I dive into what is possible to make in terms of sound, and then I start working." Regarding composition in general, Yamaoka says he starts every new project by thinking about the idea as a whole, considering what the game will offer to anyone who plays it. "Rather than perfect matches, we look for some sort of misalignment, which makes it feel more fresh and attractive," he explains. He uses a Japanese phrase "Ki wo terau"-to deliberately act strange-as an example of his ideas for the game's music. Yamaoka says he first heard of the new game while out drinking with Toyama, who was using words like "Nineties," "urban," and "Asian taste." "When I finally heard of Slitterhead," Yamaoka says, "it's like the dots had finally been connected."
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